Johan Wagenaar (1862-1941)
|
Composer Johan Wagenaar was born in Utrecht as the fourth of six surviving extramarital children of a judge and his former maid Johanna Wagenaar. At age thirteen he entered the Utrecht music school, where Richard Hol was his composition and organ teacher. After his graduation in 1885 he got an appointment as piano teacher at the same institution, continuing his organ studies with Samuel de Lange. In 1892 he perfected his skills in counterpoint with Heinrich von Herzogenberg in Berlin. |
![]() |
|
|
In 1919 Wagenaar transferred most of his activities to The Hague, where he accepted the directorship of the conservatory. His ties with his native city have however always been very strong. A local artistic society, called Shelfishclub, was the platform for some of his musical jests, especially the cantata De schipbreuk (‘Shipwreck’, 1889), and the operas De doge van Venetië (1908) and De Cid (1916). The main body of his oeuvre are choral and orchestral works. Most of the orchestral compositions are programmatic or theatrical, like the overtures Cyrano de Bergerac (1905) and De getemde feeks (‘The taming of the shrew’, 1909), and the symphonic poems Saul en David (1906) and Elverhöi (1940). With great skill in orchestration and a gift for lively themes Wagenaar was a conservative representative of the romantic orchestra tradition. |
||



